The film lacks LGBTQ+ characters or any exploration of non-heteronormative identities. Social and romantic dynamics remain strictly within traditional heteronormative structures.

Lorraine Warren possesses significant agency and intellectual weight through her clairvoyance. However, the Warrens' marriage reinforces conventional domestic archetypes rather than subverting gender hierarchies.

The narrative focuses on a predominantly white, Anglo-Saxon demographic. While the supporting cast is diverse, the film does not prioritize intersectional identities or challenge the 1980s racial status quo.

The story relies heavily on Catholic iconography and the authority of the Church. It operates through moral absolutism, positioning religious ritual as the primary tool against evil.

Psychological distress and demonic possession serve as supernatural plot devices. The film lacks nuanced explorations of neurodivergence or characters with disabilities possessing independent agency.