The film lacks explicit LGBTQ+ characters or narratives. The story focuses almost entirely on the protagonist's spiritual trauma and the investigations of male clerical figures.

Frankie Paige centers the narrative, driving the theological crisis through her physical experiences. This subverts traditional tropes by making the female body the primary site of agency.

The inclusion of Father Bekoko, a Black priest, adds a layer of globalized complexity to the Catholic hierarchy. This choice broadens the film's demographic scope beyond Western depictions.

The film critiques the Catholic Church as a bureaucratic entity focused on power rather than truth. It prioritizes individual subjective experience over established religious dogma.

The protagonist's stigmata are depicted through visceral physical suffering and bodily trauma. While central to the plot, these experiences are tied strictly to supernatural mechanics.