
Afternoon
2015

Representation Score
Good
2021
Director
Tsai Ming-liang
Runtime
20 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Tsai Ming-liang’s documentary offers a contemplative look at Hong Kong’s urban rhythm. It succeeds by providing a culturally authentic, non-Western perspective that resists the homogenization of mainstream media. However, the film remains neutral regarding specific identity-driven politics. It lacks explicit representation for LGBTQ+ identities and does not center disability or transformative women's ability to drive the story. Ultimately, the film’s strength lies in its structural rejection of conventional social hierarchies, favoring existentialism and atmospheric stillness over traditional narrative arcs.
Category Breakdown
The film does not show explicit representations of LGBTQ+ identities or romantic relationships. Instead, it focuses on the environment and rhythms of the city.
The film challenges traditional gender roles by focusing on individuals as isolated beings rather than in typical social roles. It avoids depicting leadership or domestic roles.
The film provides a genuine portrayal of the East Asian urban experience, avoiding a Western perspective and emphasizing local culture.
The film subtly critiques rapid capitalist development through its focus on urban alienation. It prioritizes atmosphere over traditional Western storytelling.
The film does not depict visible or invisible disabilities prominently. It focuses on a universal human experience rather than specific neurodivergent or physical conditions.
Present on Screen
Limited or Absent
Official Synopsis
In 2019, the night in Hong Kong was still in fascinating beauty and the landscape of everyday life was gradually changing. Travelling the streets, Tsai Ming-liang documented the city's rhythm and ambience, along with an overpass.

2015

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