The film features a profound romantic bond between two teenage girls. By framing them as soul mates, the story centers their intimacy and disrupts heteronormative expectations.

Gender dynamics vary across the anthology, avoiding a monolithic view. While some segments use traditional romantic archetypes, the film provides diverse emotional interiorities for its female characters.

The cast is predominantly Chinese Singaporean, prioritizing local authenticity. This focus on localized social textures challenges Western-centric casting norms and cinematic hegemony.

Themes of spiritualism and the afterlife suggest a subjective approach to existence. The narrative explores existentialist inquiries into loneliness rather than adhering to rigid religious dogma.

The film centers the true story of Theresa Chan, a woman who is blind and deaf. It integrates her sensory experience into themes of communication with dignity.