
Goodbye Alicia
1977

Representation Score
Good
1979
Director
Jorge Feliu
Runtime
86 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Jorge Feliu’s debut feature employs a surrealist framework to explore Spain's transition from the Franco dictatorship. By using the Alice archetype, the film turns a classic literary figure into a vessel for collective national trauma and social critique. The film excels at deconstructing power dynamics, particularly through the lens of corporate exploitation and institutional corruption. It moves away from traditional historical dramas to offer a more subjective, allegorical examination of history. However, the film’s heavy reliance on metaphor and internal Spanish politics limits its scope. The focus remains largely on domestic sociopolitical tensions rather than explicit representation of diverse identities.
Category Breakdown
The film features four versions of Alice, allowing for a fluid exploration of identity. However, it does not explicitly depict non-straight or non-cisgender identities or same-sex relationships.
The story centers around the female experience, using Alice as a symbol for the Spanish people facing systemic struggles against multinational entities.
The narrative focuses on the internal political and social dynamics of Spain, critiquing multinational corporations but lacking explicit representation of a multi-ethnic cast.
The film challenges traditional patriotic narratives by using allegory to question state-sanctioned morality and explore complex national identities.
There is no evident portrayal of physical or neurodivergent disabilities in the film.
Present on Screen
Limited or Absent
Official Synopsis
Four different Alices wander through mazes constructed from 40 years of Spanish history in this post-Franco meditation. Loosely related to the "Alice" of Alice in Wonderland, in one episode of this film, Alice (who is clearly a metaphor for the Spanish people) is raped by some multinational corporations. Told in a somewhat confusing manner, especially for those unfamiliar with the nuances of Spain's history in the period between 1936 and 1975, this is director Jorge Feliu's first feature film.

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