You are here:

The Gendarme and the Gendarmettes

Name: The Gendarme and the Gendarmettes
Director: Tony Aboyantz, Jean Girault
Released: 1982
Duration: 100 min

Representation Score

1.8/10

Minimal

1982

Director

Tony Aboyantz, Jean Girault

Runtime

100 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film functions as a conventional comedy that relies heavily on established slapstick clichés and traditional social dynamics. While it introduces women into a male-dominated profession, the narrative structure prioritizes the male perspective and uses female characters primarily as distractions. Diversity is limited by the era's casting norms and a lack of complexity in representing various identities. The story reinforces traditional authority structures through a kidnapping plot without challenging existing hierarchies or offering diverse cultural viewpoints.

Watch this, not that →

Category Breakdown

Does The Gendarme and the Gendarmettes have LGBTQ+ representation?

Limited

The film centers on typical heterosexual relationships between male and female characters. There is no indication of non-straight identities or critiques of the assumption that everyone is straight.

How does The Gendarme and the Gendarmettes portray gender?

Fair

Female officers play important roles, but they mainly act as catalysts for chaos and distraction. Their influence seems secondary to the male characters' responses to them.

How racially and ethnically diverse is The Gendarme and the Gendarmettes?

Minimal

The production reflects the homogeneous casting practices of early 1980s French comedy. There is no evidence of a multi-ethnic or non-Anglo-Saxon cast.

How does The Gendarme and the Gendarmettes represent religion and culture?

Limited

The plot follows a standard comedic framework focusing on law enforcement and social order. It lacks any critique or exploration of diverse cultural perspectives.

Does The Gendarme and the Gendarmettes include disability representation?

Minimal

The narrative does not include any characters with physical or neurodivergent disabilities.

Present on Screen

The film introduces women into a traditionally male-dominated professional environment.

Limited or Absent

The narrative relies on gendered clichés where women function as distractions rather than fully realized characters.
The casting lacks racial and ethnic diversity, adhering to the homogeneous standards of early 1980s French cinema.
There is a lack of representation for LGBTQ+ identities or neurodivergent and physical disabilities.

Official Synopsis

Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them -- and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.

How are these scores produced? →