
We Want Roses Too
2008

Representation Score
Good
2019
Director
Marina Zeising
Runtime
89 minutes
Average Rating
No ratings yetNew Showbiz Analysis
La Lupa is a progressive documentary that moves beyond mere inclusion to actively challenge systemic patriarchal structures. By using a feminist lens, the film deconstructs traditional motherhood and social roles across multiple international contexts. The work excels in its gender-focused structure, providing a profound rejection of conventional feminine archetypes. Its transnational scope adds depth, allowing for a comparative analysis of how different cultural landscapes influence women's lives. While the film offers a strong sociological critique, it lacks specific evidence regarding LGBTQ+ characters or disability representation. The focus remains primarily on the intersection of gender, culture, and the personal journey of the director.
Category Breakdown
The film aligns with modern feminist perspectives, suggesting an openness to non-traditional identity frameworks. While specific queer-coded characters are not detailed, the narrative's focus on deconstructing the self implies a departure from assumptions that everyone is straight or cisgender.
This documentary actively challenges traditional femininity by centering its critique on the dominant patriarchal system. It prioritizes complex, active female identities over submissive archetypes through a deeply personal exploration of motherhood.
The transnational structure across Argentina, Italy, and Norway provides a platform for exploring identities shaped by multiple factors. This geographical breadth allows for a comparative look at how different ethnic backgrounds shape the female experience.
The film critiques established Western institutions and traditional family ideals. By framing motherhood as a site of personal struggle, it questions the stability of conventional social structures and cultural norms.
The narrative does not feature characters or storylines centered on physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
LA LUPA is a documentary that explores the different experiences of motherhood. Some personal adversities reveal the director the desire to be a mother but at the same time they boots her to interpellate and deconstruct herself. Her search develops in the international context of a new feminist wave. Identified with a gender perspective, she travels through three countries that influenced her: her homeland, Argentina, Italy and the country of her maternal grandparents, Norway. In this sentimental journey, she focus in the dominant patriarchal system, contrasting the cultural differences in the role of women, the social realities that propitiate or diminish family development and the encounter with women who inhabit motherhood in different ways, discovering in the nature of a winding and rhizomatic journey to find her own way.

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