
The Exorcism of Carmen Farias
2021

Representation Score
Fair
2019
Director
Bruno Di Marcello
Runtime
70 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film stands out by placing a transgender woman at the center of a horror narrative. Instead of using her identity as a gimmick, the story integrates her personhood into her journey of escaping domestic violence. By emphasizing her ability to act and survival, the film challenges traditional horror clichés. It shifts away from conventional archetypes to focus on a non-assuming gender matches what was assigned at birth perspective. However, the absence of data on racial diversity and specific disability representation limits a more inclusive assessment of the film.
Category Breakdown
The film centers on Erika, a transgender woman, making her identity crucial to the story. This places her at the emotional heart of the narrative rather than on the periphery.
Erika is shown as a survivor seeking independence after escaping a violent relationship. Her perspective and her actions in navigating threats are emphasized.
There is no information available regarding the racial or ethnic composition of the cast. Consequently, the cultural backgrounds of the characters cannot be assessed.
The narrative explores how the trauma from World War II affects modern psychological states. It uses a survival framework to critique traditional power structures.
The film does not provide specific information about physical or neurodivergent disabilities among the characters. Only the psychological trauma of the protagonist is suggested.
Present on Screen
Limited or Absent
Official Synopsis
The beauty transgender Erika arrives in an old house in the country during a stormy night. She is escaping from her violent boyfriend. At first Erika find peace, but day by day strange things begin to happen: voices, shadows - And a man of the nearest village says to Erika that the house is known in the village as "The house of murderers" since the Second World War.

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