The film uses the protagonist's sexual debauchery to signal a departure from heteronormative norms. However, it lacks explicit depictions of same-sex intimacy or specific queer identities.

Juana is framed as a figure of sexual agency who defies matrimonial expectations. This subverts the archetype of the submissive queen and critiques patriarchal control.

The casting reflects the demographic homogeneity of the era. The production adheres to the ethnic compositions of the historical period being parodied.

The parody undermines the sanctity of the monarchy and religious authority. It uses satire to deconstruct traditional Western institutions and rigid morality.

There is no evidence of characters with visible or invisible disabilities being central to the plot or used for mockery.