
The Kingdom: How Fungi Made Our World
2018

2017
Director
Su Rynard
Runtime
62 minutes
Average Rating
No ratings yetSynopsis
How can a tiny mosquito be such an enormous threat to humankind? And how is it that this once distant threat is now lurking in our own backyards? Filmed on four continents and featuring breathtaking macro photography, Mosquito paints an emotionally charged portrait of the people who are now living with mosquito borne diseases and we in North America who fear their arrival.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film functions as a nature-focused documentary centered on entomology and global health. It lacks evidence of LGBTQ+ characters or narratives addressing non-cisnormative identities.
Gender Representation
The documentary examines the biological threat of mosquitoes and their impact on human populations. It offers no specific indication of how gender hierarchies are addressed or subverted.
Racial & Ethnic Diversity
Filming on four continents allows the narrative to center global populations and voices from the Global South. This approach moves away from purely Western-centric biological perspectives.
Religious & Cultural Diversity
The film explores systemic vulnerabilities and how environmental factors impact diverse socioeconomic landscapes. It highlights global interconnectedness through the shared threat of natural phenomena.
Disability Representation
The film documents the human toll of mosquito-borne illnesses, though it is unclear if it focuses on individual agency. It remains ambiguous whether disability is treated clinically.
Strengths
Areas for Improvement
AI Analysis
Mosquito is a scientific documentary that prioritizes biological observation and macro photography over complex, character-driven intersectional storytelling. While its global scope provides a foundation for cross-cultural representation, the primary focus on entomology limits deep social exploration. The film succeeds in expanding its lens beyond Western perspectives by documenting the lived experiences of people across four continents. This geographic breadth inherently brings diverse racial and ethnic voices into the narrative. However, the documentary lacks specific engagement with gender hierarchies, LGBTQ+ identities, or the nuanced agency of those living with disabilities. It functions more as a clinical and emotional portrait of a global health crisis than a social critique.

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