
Anthony of Padua, The Saint of Miracles
1931

Representation Score
Minimal
2002
Director
Umberto Marino
Runtime
102 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Saint Anthony: The Miracle Worker of Padua functions as a traditional hagiographic drama. It prioritizes historical and religious accuracy over the deconstruction of social hierarchies or storytelling that reflects multiple aspects of identity. The film reinforces established religious and social structures. By focusing on the life of a Catholic saint, the narrative upholds spiritual orthodoxy and traditional Western institutional values. While the protagonist's travels provide some geographic breadth, the film lacks the intentionality needed to disrupt conventional clichés or provide nuanced representation of diverse groups.
Category Breakdown
The film focuses on the life of a historical figure and adheres to traditional monastic structures without showing any non-binary gender identities or same-sex relationships.
The story centers around a male protagonist navigating patriarchal religious institutions. It emphasizes traditional masculine leadership roles typical of 13th-century priesthood and monastic orders.
The protagonist's Portuguese origins and his travels through Africa and Europe offer some potential for ethnic diversity. However, the film likely reflects Eurocentric perspectives common in period dramas.
The story prioritizes singular Christian morality and the sanctity of Catholic institutions. It celebrates religious devotion and historical traditions without critiquing established spiritual authority.
There is no evidence of the depiction of physical disabilities, chronic illness, or neurodivergence within the film's narrative.
Present on Screen
Limited or Absent
Official Synopsis
Depiction of the life of St. Anthony, beginning with his initial calling to the priesthood as a young Portugese nobleman, and following him as he becomes a Franciscan monk and preaches across Africa and Europe.

1931

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