
American Ultra
2015

Representation Score
Minimal
2016
PG-13Director
Greg Mottola
Runtime
105 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Keeping Up with the Joneses follows a conventional mainstream comedy format that relies heavily on genre clichés. While the film engages with its characters effectively within its comedic context, it does not aim to challenge broader social hierarchies. The film focuses on a predominantly white, suburban demographic, limiting opportunities for diverse representation. Social structures in the film center on traditional Western norms. Overall, the film serves as a commercial comedy that avoids deeper social critiques. It uses the pursuit of status and consumerism as a comedic device rather than a tool for social commentary.
Category Breakdown
The film does not include any LGBTQ+ characters or non-straight identities. All romantic relationships are between heterosexual couples.
Female characters have substantial screen time and play key roles in driving the story. However, the film relies on traditional gender stereotypes rather than challenging them.
The cast is primarily made up of white actors, reflecting a suburban demographic. The story centers around a typical Western suburban lifestyle.
The film offers a shallow critique of wealth and consumerism. It portrays the nuclear family as the normative structure.
The film does not feature any characters with visible or invisible disabilities. There is no exploration of neurodivergence or chronic illness.
Present on Screen
Limited or Absent
Official Synopsis
An ordinary suburban couple finds it’s not easy keeping up with the Joneses – their impossibly gorgeous and ultra-sophisticated new neighbors – especially when they discover that Mr. and Mrs. “Jones” are covert operatives.

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