
Keeping Up with the Joneses
2016

Representation Score
Minimal
2003
PG-13Director
Andrew Fleming
Runtime
98 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The In-Laws is a conventional genre comedy that emphasizes slapstick humor and domestic chaos. It operates within a homogeneous social framework, adhering strictly to established demographic norms. The film lacks perspectives that reflect multiple aspects of identity, focusing instead on a traditional Western suburban setting. While it offers a mild subversion of male competence through comedic clichés, it fails to challenge broader gender or racial hierarchies. Ultimately, the production avoids significant engagement with diverse identities or systemic critiques, staying firmly within mainstream, traditional comedic structures.
Category Breakdown
The film focuses on a traditional family preparing for a wedding, with no representation of non-straight or non-cisgender identities.
The film uses the 'bumbling male' cliché to subvert male competence, but relies on slapstick humor rather than deeper critique. Female characters are mostly in supporting or reactive roles.
The cast is primarily white and upper-middle class, with no use of diverse ethnic backgrounds to challenge social hierarchies.
The story follows a typical Western comedic framework, adhering to conventional social norms without engaging with anti-Western or secular themes.
There is no representation of physical, neurodivergent, or sensory disabilities, nor does it explore the experiences of disabled individuals.
Present on Screen
Limited or Absent
Official Synopsis
Right before his daughter's wedding, a mild-mannered foot doctor discovers that his new in-laws are international smugglers.

2016

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1998
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