The film lacks explicit LGBTQ+ characters or storylines. It operates within a traditional 1990s comedic framework that focuses on slapstick parody rather than exploring queer identities.

While the film satirizes the hyper-sexualized 'Bond girl' trope, female characters often serve primarily as romantic interests. The protagonist's incompetence subtly undermines traditional masculine hero archetypes.

The narrative relies on Western-centric perspectives and international archetypes. Despite a global scope and the inclusion of a KGB agent, it lacks intersectional depth or race-blind casting.

The story follows a standard hero-versus-villain trajectory that reinforces conventional morality. It does not actively critique Western institutions, capitalism, or religious structures.

No characters with visible or invisible disabilities are portrayed with agency. Physical mishaps are used strictly for slapstick comedic effect rather than nuanced representation.