The film lacks explicit LGBTQ+ characters or non-heteronormative romantic arcs. Emotional connections are framed through paternal and platonic lenses within the historical setting.

The story centers on the paternal bond between Geppetto and Pinocchio. While set in the 1930s, it subverts masculine archetypes by portraying Geppetto with vulnerability and grief.

The narrative focuses on socioeconomic stratification rather than explicit racial categories. It uses characters like Spazzatura to highlight the experiences of the disenfranchised and working class.

The film offers a profound critique of Fascist authority and nationalistic institutions. It reframes disobedience as a vital component of autonomy and individual soulfulness.

There are no primary characters defined by specific disabilities. Instead, the film uses the theme of imperfection to subvert tropes of the 'perfect' or 'whole' body.