
Our Happiest Days
2021

Representation Score
Excellent
2017
Director
Gabriel Mariño
Runtime
80 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Yesterday Wonder I Was uses a high-concept fantasy premise to dismantle traditional identity markers. By decoupling consciousness from a stable physical form, the film explores the essence of the self beyond biological determinism. The narrative uses metaphysical displacement to challenge socialized markers of gender and race, creating a profound exploration of human connection that transcends physical constraints. While the film excels in conceptual fluidity, it remains focused on a singular romantic pursuit, which may limit the breadth of its exploration of social identities.
Category Breakdown
The film presents a single soul that shifts between male and female bodies, reflecting non-traditional experiences of identity and fluidity.
The protagonist's lack of a fixed identity ties their ability to act to an existential struggle rather than traditional masculine or feminine roles.
Set in Mexico City, the film offers a localized, non-Western perspective on the human condition. The urban setting implies a diverse, multi-ethnic social fabric typical of a Latin American metropolis.
The narrative adopts a secular, postmodern approach to existence, focusing on personal longing and individual truth over traditional religious or institutional moral frameworks.
The protagonist's shifting body serves as a metaphor for neurodivergence or existential disability, maintaining ability to act while struggling to communicate.
Present on Screen
Limited or Absent
Official Synopsis
The existence of a lonely figure in Mexico City is slipped uncontrollably throughout bodies every so often, making his essence travel through bodies of men and women. Boredom and hopelessness of this being are faced by the love for Luisa and the need to be with her. He starts a struggle to communicate that love via different faces and bodies until he may be with her in spite of his condition.

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