
The Big Man
1990

Representation Score
Good
1969
Director
Gordan Mihić, Ljubiša Kozomara
Runtime
70 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Crows is part of the Yugoslav Black Wave, known for its gritty rejection of idealized social realism. The film uses the desperation of suburbia to challenge state-sanctioned narratives, focusing on the underrepresented. Its strength lies in its dense themes and portrayal of wealth pursuit as a violent necessity rather than a just reward. By centering on systemic victimhood, it challenges established social hierarchies. However, the focus on class-based struggle can overshadow specific identity-based narratives, and the portrayal of physical vulnerability is framed through degradation.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or situations that challenge traditional heterosexual relationships.
The film features a male protagonist who struggles with instability and failure rather than traditional masculinity and competence.
The film likely showcases a multi-ethnic cast reflecting the Balkan region, though specific details about diverse ethnic representation are not provided.
The film critiques systemic economic structures and prioritizes moral relativism over traditional moral absolutes.
The film focuses on the aging boxer and his physical decline, highlighting the harsh realities of survival and physical vulnerability.
Present on Screen
Limited or Absent
Official Synopsis
A flat broke aging boxer, living on the verge of existence, teams up with the equally desperate people in the city's suburbia to steal, cheat, and even kill for the money.

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1970
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