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Those Who Make Revolution Halfway Only Dig Their Own Graves

Those Who Make Revolution Halfway Only Dig Their Own Graves

Representation Score

8.2/10

Excellent

2016

Director

Simon Lavoie, Mathieu Denis

Runtime

183 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film stands out for its intellectual critique of systemic power structures, offering a deep analysis of Western hegemony and institutional oppression. It presents identity as a nuanced element of political life rather than a spectacle. However, the film's demographic focus is narrow, concentrating almost entirely on a white, Québécois student population. This limits the racial and ethnic diversity of the narrative, despite its strong class-based themes. Overall, the film is a focused socio-political study that prioritizes ideological subversion and the deconstruction of the state over broad demographic representation.

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Category Breakdown

Does Those Who Make Revolution Halfway Only Dig Their Own Graves have LGBTQ+ representation?

Good

The film incorporates LGBTQ identities naturally into the characters' lives, avoiding including someone from a minority group without giving them real depth by treating these identities as part of everyday experience within an activist community.

How does Those Who Make Revolution Halfway Only Dig Their Own Graves portray gender?

Good

The narrative focuses on the interpersonal tensions within a radical group, avoiding traditional patriarchal roles. Gendered expectations are shown as a source of political conflict.

How racially and ethnically diverse is Those Who Make Revolution Halfway Only Dig Their Own Graves?

Limited

The cast is primarily white and Québécois, reflecting the Montreal student movement demographics. The story emphasizes class struggle and local cultural context.

How does Those Who Make Revolution Halfway Only Dig Their Own Graves represent religion and culture?

Excellent

The film critiques Western liberal democracy and neoliberalism, framing resistance to the state as a response to systemic failures through Marxist and anarchist theory.

Does Those Who Make Revolution Halfway Only Dig Their Own Graves include disability representation?

Limited

There is no significant focus on visible or invisible disabilities. Characters are defined by their socioeconomic status and ideological commitments, not by physical or cognitive differences.

Present on Screen

  • Sophisticated critique of Western neoliberalism and state authority.
  • Natural integration of LGBTQ identities without relying on clichés.
  • Complex portrayal of gendered power dynamics within radical groups.

Limited or Absent

  • Lack of racial and ethnic diversity among the main characters.
  • Minimal representation of characters with physical or cognitive disabilities.
  • Narrow focus on a specific white Québécois student population.

Official Synopsis

Province of Quebec, Canada, the Maple Spring, 2012. Driven by frustration and the desire to find a new life, Klas Batalo, Ordine Nuovo, Tumulto and Giutizia form a counter-cultural group, a radical cell guided by a deep hostility to the established order that they manifest through terribly ambiguous political expressions, Molotov cocktails and guerrilla tactics, seeking to sow mayhem in Montreal as a prelude to the overthrow of the government.

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