
She Will
2022

2022
RDirector
Paco Plaza
Runtime
101 minutes
Average Rating
No ratings yetSynopsis
Susana leaves her life in Paris, where she works as a model, and returns to Madrid to take care of her grandmother Pilar.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on a central female relationship without explicit queer romantic subplots. While it avoids heteronormative tropes of domestic bliss, it does not actively center LGBTQ+ identities.
Gender Representation
The narrative is driven entirely by female agency, centering on the struggle between Susana and Pilar. It disrupts horror tropes by placing women in positions of both vulnerability and terrifying power.
Racial & Ethnic Diversity
Casting is predominantly Spanish, reflecting the specific setting in Madrid and rural Spain. The film prioritizes localized socioeconomic and regional identities over a globalized, ethnically neutral approach.
Religious & Cultural Diversity
The film critiques traditional institutions by framing family legacy and folklore as sources of terror. It challenges the perceived sanctity of ancestral hierarchies and the nurturing grandmother trope.
Disability Representation
The story explores vulnerabilities associated with aging and the loss of autonomy. It remains unclear if these portrayals offer meaningful agency beyond standard genre tropes regarding physical or cognitive impairment.
Strengths
Areas for Improvement
AI Analysis
Paco Plaza’s film succeeds as a deconstruction of the matrilineal bond, using horror to explore the friction between generational continuity and individual autonomy. It avoids reinforcing the sanctity of the family unit, instead presenting inheritance as a source of psychological dread. The film's primary strength is its subversion of gender hierarchies. By centering the intellectual and physical struggle between two women, it avoids relegating female characters to passive roles common in horror. However, the film lacks overt intersectional markers. While it provides a sophisticated reading of domestic life, it offers little in the way of racial or LGBTQ+ representation, remaining a culturally specific, localized production.

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