
Selfie
2019

2016
Director
Michele Santoro
Average Rating
No ratings yetSynopsis
Child soldiers in Naples, known as the “paranza dei bambini,” have been involved in a violent gang war using Kalashnikovs, resulting in over 60 deaths. These young rebels have established a new Camorra law to control the drug market, operating in areas like Forcella, Decumani, Tribunali, and Porta Capuana, where tourists and locals coexist during the day, but drug dealing thrives at night.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on the criminal and socio-political dynamics of youth gangs. There is no explicit depiction of LGBTQ+ identities or queer narratives within the documented context.
Gender Representation
The narrative centers on a hyper-masculine environment defined by paramilitary violence. It highlights male-driven territorial conflict rather than the empowerment of female figures or the subversion of gender hierarchies.
Racial & Ethnic Diversity
The setting captures a landscape where Neapolitan identity intersects with Mediterranean and migrant influences. The urban reality of Naples suggests a multi-ethnic environment despite the focus on socio-economic status.
Religious & Cultural Diversity
The documentary excels at deconstructing traditional institutions by documenting a new, localized shadow-state morality. It portrays the collapse of state authority in favor of a survivalist, anti-establishment code.
Disability Representation
The film focuses on criminal sociology rather than individual disability advocacy. There is no documented focus on neurodivergence, physical disability, or mental health as central narrative drivers.
Strengths
Areas for Improvement
AI Analysis
Robinù provides a gritty, observational study of the 'paranza dei bambini' and the systemic breakdown in Naples. It succeeds as a cultural critique, documenting how marginalized youth exercise agency within a violent, non-traditional social order that replaces state authority with a shadow-state morality. However, the film is heavily constrained by its hyper-masculine subject matter. The focus on gang warfare and paramilitary violence results in a lack of gender diversity and offers no explicit representation of LGBTQ+ identities. While the urban setting implies a multi-ethnic reality, the film's primary lens remains fixed on the socio-economic and criminal dynamics of the youth involved rather than broader racial or disability-focused narratives.

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