
We Hold the Line
2020

Representation Score
Good
2019
TV-PGDirector
Olivier Sarbil, James Jones
Runtime
70 minutes
Average Rating
No ratings yetNew Showbiz Analysis
On the President's Orders is a powerful investigative documentary that shifts the power dynamic from state authority to the individual. By centering the victims of the Philippine drug war, it provides a sophisticated critique of institutional corruption and the human cost of political mandates. The film excels at deconstructing Western-centric views of crime and punishment. It successfully utilizes a thriller-like aesthetic to force an empathetic engagement with systemic violence in the Global South. While the film provides deep cultural and racial insight, it lacks specific information regarding LGBTQ+ or disability representation. The narrative structure is primarily built around class, state power, and socio-political conflict.
Category Breakdown
The film focuses on the socio-political conflict of the drug war. There is no explicit evidence of LGBTQ+ characters or stories about non-straight or non-cisgender identities.
The narrative centers an ordinary family from the slums, providing a platform for underrepresented voices. This shift from state actors to the domestic sphere gives real power to those often sidelined.
The film achieves high representation by centering a non-Western perspective. It prioritizes the lived experiences of a non-white majority cast within the specific socio-economic realities of Manila.
The documentary offers a deep critique of state institutions and the Philippine government's drug war. It portrays victims as complex human beings rather than mere criminals.
There is no specific evidence regarding the portrayal of physical or neurodivergent disabilities within the available synopsis.
Present on Screen
Limited or Absent
Official Synopsis
The searing story of President Duterte's bloody campaign against drug dealers and addicts in the Philippines, told with unprecedented and intimate access to both sides of the war - the Manila police, and an ordinary family from the slum. Shot in the style of a thriller, this observational film combines the look and feel of a narrative feature film with a real life revelatory journalistic investigation into a campaign of killings. The film uncovers a murky world where crime, drugs and politics meet in a deathly embrace - and reveal that although the police have been publicly ordered to stop extra-judicial killings, the deaths continue.

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