I Want to Return Return Return
2020
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Diversity score: 6.1 out of 10
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Selfie
2019
Director
Agostino Ferrente
Runtime
76 minutes
Average Rating
No ratings yetSynopsis
Naples, Trajan's district. Initially it was intended for the inhabitants of the shantytowns on the seafront of Naples, who were homeless after the war. But it soon became a kind of ghetto. Alessandro and Pietro are two teenagers who film with an iPhone to tell their difficult neighborhood, their daily life, the friendship that binds them.
Where to Watch
Diversity & Representation
Overall Score
6.5/10
Good
Category Breakdown
LGBTQ+ Representation
The film focuses on the platonic bond and shared survival of two teenage males. It emphasizes deep emotional connection without explicit evidence of non-heteronormative identities.
Gender Representation
The narrative centers on male protagonists but avoids traditional masculine archetypes. It portrays masculinity through vulnerability, friendship, and emotional intelligence within a restrictive environment.
Racial & Ethnic Diversity
The film provides significant representation of marginalized urban populations in Naples. It shifts the lens away from affluent perspectives toward a localized, non-dominant social stratum.
Religious & Cultural Diversity
The work critiques systemic failures and historical neglect in the Trajan district. It prioritizes the lived truth of marginalized inhabitants over official institutional narratives.
Disability Representation
There are no specific depictions of visible or invisible disabilities that serve as central narrative drivers.
Strengths
- Empowers subjects to act as their own narrators through digital tools.
- Challenges traditional documentary hierarchies and the outsider gaze.
- Provides a nuanced portrayal of masculinity through vulnerability and friendship.
- Critiques systemic institutional neglect through a localized lens.
Areas for Improvement
- Lacks explicit representation of LGBTQ+ identities.
- Does not feature depictions of disability as narrative drivers.
- Focus remains primarily on male protagonists.
AI Analysis
Selfie is a participatory documentary that empowers its subjects, Alessandro and Pietro, to reclaim their own agency. By using an iPhone to document their lives, the teenagers disrupt traditional documentary hierarchies and resist the outsider gaze. The film excels at portraying the complex relationship between individuals and the state. It frames the protagonists as active agents of their own reality rather than passive victims of urban neglect. While the film lacks explicit engagement with specific identity politics, its focus on systemic marginalization and the subversion of the observer/observed dynamic provides a progressive perspective on localized identity.
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