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Las turistas quieren guerra

Name: Las turistas quieren guerra
Director: Enrique Cahen Salaberry
Released: 1977
Duration: 75 min

Representation Score

1.3/10

Minimal

1977

Director

Enrique Cahen Salaberry

Runtime

75 minutes

Average Rating

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New Showbiz Analysis

Las turistas quieren guerra is a product of its time, using a traditional comedic structure that emphasizes situational humor over social commentary. The plot revolves around a get-rich-quick scheme and class aspirations, focusing on two working-class men trying to climb the social ladder. The narrative structure reinforces conventional social hierarchies. It relies on mid-century farce clichés, such as authority figures manipulating unsuspecting characters, rather than offering a critical look at power structures. Ultimately, the film adheres to the commercial standards of 1970s cinema. It highlights individual mistakes and traditional gender roles without disrupting established cultural norms or promoting diverse representation.

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Category Breakdown

Does Las turistas quieren guerra have LGBTQ+ representation?

Minimal

The film does not include any characters with non-straight sexual orientations or same-sex relationships. The story focuses solely on traditional romantic pursuits.

How does Las turistas quieren guerra portray gender?

Limited

Female characters mainly serve as objects of desire and motivators for male ambitions. They engage in social flirting but are confined to traditional comedic roles.

How racially and ethnically diverse is Las turistas quieren guerra?

Fair

The production likely showcases regional Latin American ethnic diversity. However, the storyline upholds existing social hierarchies without challenging them through diverse casting.

How does Las turistas quieren guerra represent religion and culture?

Limited

The story follows a conventional capitalist framework focused on social climbing. It presents traditional morality tales about greed and opportunism without critiquing institutions.

Does Las turistas quieren guerra include disability representation?

Minimal

There are no characters with visible or invisible disabilities mentioned in the narrative.

Present on Screen

The film reflects the regional ethnic diversity typical of Latin American cinema during the era.

Limited or Absent

The narrative relies on gendered clichés where women primarily serve as objects of desire.
The plot reinforces existing social hierarchies instead of challenging systemic power dynamics.
The film lacks representation of LGBTQ+ identities or non-straight-centered perspectives.
There is no visible or invisible disability representation within the character descriptions.

Official Synopsis

Alberto and Jorge are employees of a refrigerator, who one day see a bus where several beautiful tourists flirt with the guide who drives them and think that being guides will give them many love affairs. They manage to meet with the owner of the tourism company and his partner (Frías Garmet and Gamarro Salas, respectively), who hire them immediately, promising them a quick promotion in the company. In reality, Frías Garmet and Gamarro Salas are planning a scam of great magnitude, and they need two unwary to indisting them.

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