The film focuses entirely on the heteronormative romance between Casanova and Marianne. It lacks queer subtext or non-cisnormative identities, adhering strictly to traditional 18th-century romantic frameworks.

The narrative subverts masculine dominance by highlighting Casanova's physical decline and loss of agency. While Marianne is a prostitute, she exerts significant emotional influence, challenging the trope of the passive female object.

The cast is predominantly white and Anglo-European, reflecting the historical context of 18th-century Europe. The film opts for a period-accurate, homogeneous depiction rather than using diverse casting to critique social structures.

The story explores subjective morality and human connection rather than religious dogma. However, it does not actively seek to deconstruct Western institutions or promote anti-religious sentiments.

The film addresses the decline of the human condition through Casanova's waning vitality. While not depicting a clinical disability, it uses aging as a central driver of the plot.