The film lacks any evidence of LGBTQ+ characters or non-cisnormative identities. The narrative remains strictly focused on the protagonist's ritualistic obsession.

The story centers on a male protagonist driven by traditional masculine archetypes of power. Female characters lack visible agency or complexity in this character-driven horror.

The inclusion of the African deity Chuku introduces non-Western mythology. However, these elements serve the protagonist's ritualistic goals rather than exploring diverse cultural perspectives.

The film utilizes a non-Western spiritual framework through its occult themes. This is framed primarily through the lens of an individual's madness and greed.

There is no mention of characters navigating physical, sensory, or neurodivergent experiences. The narrative does not address disability.