The film lacks depictions of same-sex intimacy or non-cisnormative gender expressions. The narrative focuses on ecclesiastical absurdity rather than exploring queer identities or critiquing heteronormativity.

The story is centered on male-dominated hierarchies within the Vatican. While it satirizes these structures, female characters remain in peripheral or secondary roles without significant agency.

The cast is predominantly white and British, reflecting the comedic troupe's origins. There is a notable absence of racial or ethnic diversity among the primary characters.

The film excels at disrupting the sanctity of the Catholic Church through religious satire. It frames the institution as a site of systemic corruption and political maneuvering.

There is no intentional focus on visible or invisible disabilities. Characters are defined by their roles in religious conspiracies rather than by physical or neurodivergent traits.