
Everything Everything Nothing Nothing
2012

Representation Score
Good
2011
Director
Giulio Manfredonia
Runtime
93 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film serves as a sharp, satirical critique of populist mechanics and systemic dysfunction. It excels in deconstructing the perceived stability of Western political institutions and the absurdity of leadership hierarchies. However, the film lacks demographic breadth. Its focus on a hyper-masculine political environment results in minimal representation for LGBTQ+ individuals, women, and diverse ethnic groups. The narrative remains centered on a homogeneous Mediterranean landscape.
Category Breakdown
The film does not include explicit LGBTQ+ storylines or characters with non-cisgender identities. It focuses primarily on the aggressive, hyper-masculine world of Italian local politics.
Power struggles are mainly between male figures within a traditional political setting. Although the film challenges the 'strongman' archetype through satire, women play secondary roles.
The cast is predominantly made up of a homogeneous Mediterranean demographic. The film focuses on internal Italian socio-political dynamics without incorporating multicultural casting to challenge the status quo.
The film excels at critiquing the sanctity of Western democratic institutions. It uses satire to question the competence of the state and the perceived stability of democratic systems.
There are no characters with visible or invisible disabilities in the film. The narrative focuses solely on the socio-political struggle.
Present on Screen
Limited or Absent
Official Synopsis
Corrupt and sleazy entrepreneur Cetto La Qualunque comes back to Italy and "jumps into politics" lest his law-abiding opponent, Giovanni De Santis, is elected as mayor.

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