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Ride Around the World

Ride Around the World

Representation Score

2.7/10

Limited

2006

Director

Harry Lynch

Runtime

40 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Ride Around the World is a culturally expansive documentary that disrupts the monolithic, Western-centric view of equestrian history. Its primary strength lies in its racial and ethnic breadth, providing a significant role in driving the story to diverse global populations across several continents. However, the film’s focus on traditional, vocationally-defined subcultures results in lower scores for gender and LGBTQ+ representation. The narrative architecture follows the established social structures of the communities being documented rather than challenging them. Ultimately, the film serves as a rich ethnographic study of a shared global lineage, even if it remains tethered to traditional social archetypes.

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Category Breakdown

Does Ride Around the World have LGBTQ+ representation?

Minimal

The film does not include any visible LGBTQ+ characters or narratives. It focuses on traditional equestrian cultures that likely adhere to established regional social norms.

How does Ride Around the World portray gender?

Limited

The narrative centers on male-dominated roles such as vaqueros and gauchos, reinforcing traditional gendered labor roles without offering a subversion of them.

How racially and ethnically diverse is Ride Around the World?

Good

The documentary excels by centering non-Anglo-Saxon populations across Morocco, Mexico, and Argentina. It elevates indigenous and regional groups as the primary custodians of global horse culture.

How does Ride Around the World represent religion and culture?

Good

By decentralizing the American cowboy mythos, the film places equestrian heritage in a global context. It prioritizes local traditions and non-Western lifestyles throughout its journey.

Does Ride Around the World include disability representation?

Minimal

There is no mention of subjects with visible or invisible disabilities. The focus remains strictly on the vocational identities of the equestrian subcultures.

Present on Screen

  • High levels of racial and ethnic diversity through its global scope.
  • Disrupts Western-centric views by framing cowboy culture as a multi-ethnic phenomenon.
  • Elevates the role of indigenous and regional groups as cultural custodians.

Limited or Absent

  • Lacks representation of non-straight identities or LGBTQ+ narratives.
  • Reinforces traditional gendered labor roles by focusing on male-dominated archetypes.
  • Does not address disability representation within the documented cultures.

Official Synopsis

Journey across Morocco, Spain, Mexico, Argentina, Patagonia, Texas and British Columbia, to meet vaqueros, gauchos, baqueanos and cowboys - all part of a single global horse culture, an unbroken trail stretching back 1,500 years.

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