
Three Wives
2001

Representation Score
Fair
1988
Director
Giuseppe Bertolucci
Average Rating
No ratings yetNew Showbiz Analysis
Giuseppe Bertolucci’s film serves as a psychological study of relational instability. It succeeds in dismantling the traditional nuclear family by replacing rigid domesticity with a complex, fluid exploration of human desire and infidelity. However, the film remains limited by the demographic homogeneity of its era. The lack of racial and disability representation prevents a higher score, keeping the focus strictly within a specific European social context. Ultimately, the film's strength lies in its subversion of gender hierarchies and its refusal to adhere to conventional moral structures, offering a nuanced look at interpersonal complexity.
Category Breakdown
The film challenges traditional assumptions about relationships by focusing on the fluidity of romantic connections. Although specific non-binary identities are not explicitly mentioned, the protagonist's complex network of relationships questions monogamous structures.
Women are shown as active drivers of the narrative rather than passive figures. The film challenges patriarchal control by emphasizing the psychological states and desires of the women in the protagonist's life.
The cast reflects the demographic homogeneity typical of late 1980s European regional cinema. There is no indication of multi-ethnic blending or intentional racial diversity within the central character arcs.
The narrative adopts a postmodern approach to ethics, favoring moral relativism over religious tradition. It explores interpersonal dysfunction and infidelity through a lens of subjective experience rather than moral condemnation.
There is no evidence of characters with physical or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
A psychologist acquires wife and lover of a friend of him. But he has two more relationships yet. What will he do with four women following him?

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