
La donna degli altri è sempre più bella
1963

Representation Score
Minimal
1975
Director
Mauro Severino
Average Rating
No ratings yetNew Showbiz Analysis
Amore vuol dir gelosia functions as a conventional period comedy that relies heavily on established 1970s genre clichés. The narrative structure prioritizes traditional domestic power dynamics over any meaningful social commentary or systemic subversion. The film centers on a male protagonist navigating a chaotic web of relationships, reinforcing patriarchal structures. Female characters are largely defined by their sexual utility or their relationship to the central male figure. Ultimately, the work does not challenge existing social hierarchies. It remains a product of its era, reflecting the demographic and social norms of mid-70s Italy without pursuing characters who reflect more than one aspect of diversity.
Category Breakdown
The film does not include any LGBTQ+ characters or storylines. The plot revolves around a fractured heterosexual family dynamic involving a husband and several female partners.
The story reinforces traditional gender roles through a patriarchal structure. Female characters are primarily defined by their relationships to the male lead, often using stereotypes like 'frigidity' to describe their sexuality.
The production reflects the demographic uniformity typical of 1975 Italian cinema. It follows standard Western European casting norms of the time without showing diverse ethnic representation.
The storyline operates within conventional mid-century social dynamics. It explores moral frailty and domestic dysfunction rather than offering any secularist or anti-Western subversion.
There are no visible or invisible disabilities mentioned or depicted in the character descriptions provided.
Present on Screen
Limited or Absent
Official Synopsis
A dentist is married to frigid Licia, has two daughters and three other women.

1963

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1978
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