
Alice Wins the Derby
1925

Representation Score
Minimal
1933
NRDirector
Burt Gillett
Runtime
7 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film is a product of its historical era, prioritizing physical comedy and slapstick clichés over social or identity-based depth. The narrative relies on a singular, character-driven arc centered on deception and accidental success. Because the characters are anthropomorphic animals, the film avoids direct racial or ethnic depictions, yet it remains culturally homogeneous. The lack of female characters or diverse identities results in a narrow social scope. Ultimately, the work functions as a standard piece of early animation that does not engage with the complexities of systemic representation or overlapping identities.
Category Breakdown
The film focuses on animal characters and slapstick comedy, with no depiction of LGBTQ+ identities or non-cisgender characters.
The story centers around a male protagonist and male-coded characters, lacking any female presence or gender subversion.
The anthropomorphic animal characters reflect the homogeneous social structures of early 20th-century Western animation, with no intentional integration of diverse racial or ethnic identities.
The narrative reinforces traditional Western structures of gambling and ownership, functioning as standard entertainment without critiquing institutional power.
No characters with visible or invisible disabilities are present. Physical struggles are used as comedic obstacles rather than exploring impairments or neurodivergence.
Present on Screen
Limited or Absent
Official Synopsis
Mickey is set to ride Thunderbolt in the big race; his owner, the Colonel, has bet everything. But the stable-hands goof off and incapacitate the horse. In desperation, Mickey rents a horse costume and puts the stable-hands inside. They manage to eventually clear the hurdles, but get hung up on one near a beehive; the bees propel them to victory.

1925
1939
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1933

1940

1936

1931

1941
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