The film follows a strictly heteronormative framework. The central conflict revolves around the romance between François Villon and Princess Genevieve, with no presence of same-sex intimacy.

Narrative agency remains centered on male characters like Villon and Louis XI. While Genevieve holds high social status, her role is primarily defined as the romantic interest.

The cast is entirely homogeneous and European. Reflecting its 1956 production context, the film lacks diverse ethnic representation or color-blind casting.

The story explores socioeconomic stratification between aristocrats and vagabonds. However, it romanticizes the outlaw lifestyle rather than offering a systemic critique of class structures.

There are no visible or invisible disabilities portrayed. The film does not include neurodivergent or physically disabled characters within its primary arcs.