The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative identities. The narrative focuses almost entirely on the collective struggle of a displaced male population.

The story is heavily centered on a male-dominated social stratum of homeless men. There is no evidence of women occupying roles of intellectual or structural authority.

The cast is ethnically homogeneous, reflecting its Japanese Tokugawa-period setting. However, it uses the protagonists' homeless status to explore class-based distinctions and social stratification.

The film offers a sophisticated critique of state authority and institutional power. It depicts the Tokugawa rulers' forced labor system as an oppressive structure that triggers rebellion.

The characters' status as homeless individuals implies a state of physical and social vulnerability. However, there is no evidence of characters with disabilities possessing specific agency.