
The Final Quarter
2019

2003
Director
Johan Kramer
Runtime
78 minutes
Average Rating
No ratings yetSynopsis
The Other Final is a 2003 documentary film, directed by Johan Kramer, about a football match between Bhutan and Montserrat, the then-lowest ranked teams in the FIFA World Rankings.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The documentary lacks explicit LGBTQ+ characters or themes. The narrative focuses strictly on the professional football match, resulting in a neutral stance regarding identity-based representation.
Gender Representation
The film centers on a professional men's football match. While it does not promote harmful hierarchies, it offers little opportunity to subvert gender roles within this male-dominated environment.
Racial & Ethnic Diversity
The film excels by disrupting Western-centric sporting narratives. It elevates the identities of Bhutan and Montserrat, providing a platform for nations often marginalized in global media.
Religious & Cultural Diversity
The documentary critiques the centralized structures of global sports organizations. By highlighting underdog nations, it provides a subtle commentary on the inequities within international institutions.
Disability Representation
There is no evidence of disability, neurodivergence, or chronic illness being central themes. The film does not appear to address these elements within its sporting context.
Strengths
Areas for Improvement
AI Analysis
The film succeeds by shifting the lens away from traditional footballing powers toward the periphery of the FIFA ecosystem. By centering on Bhutan and Montserrat, it challenges the hegemony of major sporting nations and provides visibility to non-Western identities. However, the documentary remains limited by its narrow focus on a professional men's match. This results in a lack of representation for LGBTQ+ identities and provides minimal engagement with gender subversion or disability themes. Ultimately, the work functions more as a geopolitical critique than an exploration of diverse social identities. It finds its strength in ethnic and national representation rather than explicit identity politics.

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