The film utilizes a camp aesthetic that aligns with queer cinematic traditions. However, it lacks explicit depictions of same-sex intimacy or non-cisnormative identities.

Two female protagonists drive the plot through extreme physical violence and autonomy. This approach effectively subverts traditional hierarchies and avoids the damsel in distress trope.

As a Japanese production, the cast and setting remain largely homogeneous. The narrative focuses on creature archetypes rather than exploring racial or ethnic intersectionality.

The film prioritizes absurdity and surrealism over structured religious or civic morality. This chaos functions as a rejection of traditional institutional stability.

The Frankenstein Girl represents a non-normative physical existence through bodily reconstruction. She is granted significant agency rather than being treated as a mere object of pity.