
An Argentinian Crime
2022

Representation Score
Good
2024
Director
Diego Yaker
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
A Giraffe on the Balcony is a story centered around a woman surviving systemic state violence. It effectively challenges official histories by presenting a personal account of justice. The film excels in its focus on women's ability to drive the story and the complexities of the Argentine diaspora. However, it lacks representation for LGBTQ+ identities and does not address disability issues. The narrative remains centered on a specific historical and heterosexual framework.
Category Breakdown
The story focuses on a heterosexual relationship between Lidia and Oscar Medina. There are no queer-coded characters or arcs involving non-cisgender identities.
Lidia Muñoz is the main driver of the plot, playing a significant role in shaping the story. The film highlights her intellectual and moral authority as a survivor rather than focusing on male characters.
The film examines Argentine and Spanish identities through a transnational lens. It delves into the complexities of identity shaped by political displacement and migration.
The narrative critiques state power and institutional corruption. It presents a sophisticated view of history by reclaiming truth from state-sanctioned narratives.
There is no mention of any visible or invisible disabilities for Lidia and Valeria in the character descriptions.
Present on Screen
Limited or Absent
Official Synopsis
Lidia Muñoz is a retiree who has been living in Barcelona since 1978. Lidia was forced to exile from Argentina after the military dictatorship that ruled the country at that time tried to kidnap her and make her disappear. Pregnant with her only daughter, Valeria, she managed to escape to Spain. Forty years later, she receives a summons from the Argentine Ministry of Justice to testify in the trial for the kidnapping and disappearance of Oscar Medina, her boyfriend at the time and Valeria's father.

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