All the Sins of Sodom
1968
No user ratings available yet
Diversity score: 4.2 out of 10
You are here:
Find another title
Type to search for movies. Use arrow keys to navigate suggestions, Enter to select, Escape to close.
And Satan Calls the Turns
1962
Director
Grisha N. Dabat
Runtime
82 minutes
Average Rating
No ratings yetSynopsis
On a sun-kissed beach, six people linger lazily, each confident of fulfilling his or her desires before the day is out. A wealthy heiress, Emmanuelle, has designs on a handsome adolescent, Ivan, but his interests lie elsewhere. Having gratified Emmanuelle’s womanly needs, Ivan immediately sets out to make his next conquest, the mistress of a well-known writer...
Where to Watch
Diversity & Representation
Overall Score
4.4/10
Fair
Category Breakdown
LGBTQ+ Representation
The narrative focuses on heterosexual conquests, such as the interaction between Emmanuelle and Ivan. While it explores fluid desires, there is no explicit evidence of non-cisnormative identities or same-sex intimacy.
Gender Representation
The film disrupts traditional hierarchies by centering female agency through characters like Emmanuelle. She acts as an active pursuer of her needs rather than a passive object of desire.
Racial & Ethnic Diversity
The setting and character descriptions suggest a homogeneous social group. There is no evidence of a diverse cast or the use of non-Anglo-Saxon characters to challenge norms.
Religious & Cultural Diversity
The story prioritizes individual impulse over institutional or religious morality. It suggests a critique of traditional restraint in favor of a secular, hedonistic worldview.
Disability Representation
There is no mention of characters with visible or invisible disabilities within the narrative.
Strengths
- Challenges traditional gender hierarchies by depicting women as active pursuers of their own desires.
- Explores themes of moral relativism and the rejection of rigid institutional morality.
- Focuses on individual agency and the deconstruction of social propriety.
Areas for Improvement
- Lacks significant racial and ethnic diversity within the character descriptions.
- Provides no explicit representation of LGBTQ+ identities or same-sex intimacy.
- Fails to include characters with visible or invisible disabilities.
AI Analysis
And Satan Calls the Turns is a character-driven drama centered on hedonism and interpersonal power dynamics. The film explores a cycle of individual conquests and the pursuit of immediate gratification, focusing on subjective morality and the deconstruction of social restraints. While the film offers some progressive elements for its era, such as centering female desire, it remains limited by a lack of intersectional depth. The narrative operates within a relatively narrow social vacuum that lacks racial or LGBTQ+ diversity. Ultimately, the film's strength lies in its subversion of traditional moral rigidity rather than its breadth of representation.
Similar Movies
The Sultans
1966
No user ratings available yet
Diversity score: 3.9 out of 10
Ska' vi lege skjul?
1970
No user ratings available yet
Diversity score: 4.0 out of 10
The Daughter of Emanuelle
1975
No user ratings available yet
Diversity score: 4.0 out of 10
The Sexual Story of O
1984
No user ratings available yet
Diversity score: 4.3 out of 10
The Story of Richard O
2007
No user ratings available yet
Diversity score: 4.3 out of 10
Portuguese Vacation
1963
No user ratings available yet
Diversity score: 4.9 out of 10
Wise Guys
1961
No user ratings available yet
Diversity score: 4.9 out of 10
The Seduction of Inga
1968
No user ratings available yet
Diversity score: 4.5 out of 10
Swedish Wildcats
1972
No user ratings available yet
Diversity score: 3.8 out of 10
The Margin
1976
No user ratings available yet
Diversity score: 5.9 out of 10
The Fox
1967
No user ratings available yet
Diversity score: 3.4 out of 10
Rate this Movie
Reviews
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.