The film lacks explicit LGBTQ+ characters or depictions of non-cisnormative identities. The ensemble structure remains traditional, offering no queer semiotic markers or critiques of heteronormativity.

Mina Murray subverts Victorian hierarchies by serving as the intellectual and tactical centerpiece. She exercises high agency and leadership, moving far beyond typical submissive femininity or damsel tropes.

Casting disrupts historical homogeneity through characters like Captain Nemo and Ajax. This diverse ensemble functions as a globalized coalition rather than a collection of mere tokens.

The narrative engages with anti-imperialist themes by critiquing British expansionism. It portrays a group of outcasts operating with suspicion toward formal government and intelligence apparatuses.

Themes of psychological duality, seen in Dr. Jekyll, serve primarily as plot devices for tension. These elements lean into monster archetypes rather than nuanced explorations of lived experience.