
Trauma
2017

Representation Score
Fair
2025
Director
Nicolás Onetti, Luciano Onetti
Runtime
81 minutes
Average Rating
No ratings yetNew Showbiz Analysis
1978 uses the horror genre to critique state power and institutional corruption. By setting the story during the 1978 World Cup amidst a military dictatorship, the directors challenge conventional historical narratives through a lens of systemic horror. The film's strength lies in its cultural subversion. It avoids simple morality by blurring the lines between the oppressed and a supernatural 'other,' presenting a complex, situational ethics framework. While the film excels in cultural and historical specificity, it remains silent on specific identity-based representations such as LGBTQ+ or disability, focusing instead on the broader socio-political and supernatural conflict.
Category Breakdown
The film does not explicitly mention LGBTQ+ characters or non-straight relationships. The narrative focuses on political and supernatural conflicts rather than identity-specific storylines.
The story challenges traditional power structures by pitting masculine military authority against an unpredictable supernatural force. This shifts expected power dynamics between the state and citizens.
By centering on the Argentinian military dictatorship, the film highlights non-Anglo-Saxon perspectives. This localized historical context moves away from homogeneous, Western-centric horror narratives.
The film critiques state-sanctioned violence and corrupt institutions. It complicates morality by presenting victims as members of a dark cult rather than traditional heroes.
There is no documented evidence regarding the portrayal of physical or neurodivergent disabilities in the current synopsis.
Present on Screen
Limited or Absent
Official Synopsis
During the World Cup final between Argentina and Holland, in times of military dictatorship, a group of torturers kidnap a group of young people. What begins as an inhumane interrogation turns into hell: the wrong group has been kidnapped.

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