The film lacks LGBTQ+ characters or non-heteronormative identities. It operates within a traditional comedic framework that avoids engagement with queer identities.

Female characters primarily serve as objects of comedic pursuit or slapstick. The narrative reinforces conventional gender hierarchies rather than providing women with intellectual or structural agency.

The production features a predominantly white, British cast. It lacks diverse characterizations or the agency of non-white characters, focusing instead on a homogeneous group of explorers.

The film prioritizes slapstick over ideological critique. It presents historical figures through buffoonery rather than deconstructing traditional institutions like the monarchy or religion.

There is no discernible representation of neurodivergence or physical disabilities. The film does not use disability as a narrative tool or for character development.