
Onesime, Clockmaker
1912

Representation Score
Minimal
1901
Director
Walter R. Booth
Runtime
1 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This early science fiction comedy primarily serves as a technical demonstration of trick photography rather than a vehicle for social commentary. It relies heavily on traditional familial and gendered archetypes common to the turn of the 20th century. The film's lack of complexity in reflecting multiple aspects of identity is a direct reflection of its historical period. It presents a narrow view of society, focusing on a singular scientific mishap within a homogeneous social framework.
Category Breakdown
The film does not depict any non-binary gender identities or same-sex relationships. It focuses solely on a traditional maternal relationship and a male scientist.
A male professor and a female mother drive the plot. While the roles follow traditional stereotypes, the mother's vocal anger briefly disrupts the typical submissive feminine portrayal.
The cast reflects the homogeneous social structures of 1901 Britain. There is no evidence of diverse casting or challenging Anglo-centric norms.
The story explores the tension between biology and scientific modernity. It highlights the era's fascination with technological progress and the disruption of natural order.
There are no characters with visible or invisible disabilities present in the film.
Present on Screen
Limited or Absent
Official Synopsis
An up to date idea and a great picture. The professor sits in his laboratory with his newly invented baby incubator. A mother who is anxious for the growth of her child enters, places her baby in care of the professor, who promptly places it in the incubator. An alcohol lamp is lighted under the apparatus, but the professor evidently gets his machine too hot, for in a few seconds the top is opened and the baby taken out. To the great anger of its mother it has grown about two feet in height and has long hair and a full beard. (Edison Catalog)

1912

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