
Absolutely Tame Is a Horse
2011

2021
Director
Tufan Tastan
Runtime
86 minutes
Average Rating
No ratings yetSynopsis
One day waves bring a wooden statue of Lenin to a small town by the Black Sea. The statue is erected in the town square by the Municipality with the hope that it would attract tourists to the town. As an official opening ceremony is planned with the participation of the Prime Minister and a Russian delegation, the statue gets stolen. Two police investigators from Ankara are assigned to find Lenin in twelve hours. Townspeople give an unexpected answer to the question «Where is Lenin?».
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks any visible LGBTQ+ characters or narratives addressing non-cisnormative identities. The focus remains strictly on political mystery and municipal logistics.
Gender Representation
Gender dynamics appear standard within institutional roles like the municipality and police. There is no evidence of subverting traditional hierarchies or specific gender-focused storytelling.
Racial & Ethnic Diversity
The setting facilitates a cross-cultural encounter between a Turkish municipality and a Russian delegation. This provides a moderate level of ethnic intersectionality through its geopolitical premise.
Religious & Cultural Diversity
The story offers sharp cultural critique by using a communist icon to spark social friction. It explores how institutions manipulate historical symbols for economic and tourist gain.
Disability Representation
There is no mention of characters with visible or invisible disabilities. The narrative does not include neurodivergent representation.
Strengths
Areas for Improvement
AI Analysis
You Me Lenin operates as a socio-political satire rather than a study of intersectional identities. Its narrative engine is driven by the absurdity of political iconography and the tension between state interests and local community agency. The film finds its footing in cultural commentary, specifically how it deconstructs the sanctity of political symbols. By framing a statue of Lenin as a tool for capitalist tourism, the film critiques institutional power and state authority. However, the work lacks meaningful engagement with identity-based representation. It provides almost no visibility for LGBTQ+ individuals or people with disabilities, focusing instead on the comedic investigation of collective social behavior.

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