
Talking the Pictures
2019
No Poster Available
Representation Score
Limited
1928
Director
Shōzō Makino, Sadatsugo Masuda
Runtime
18 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Raiden functions as a historical document of early Japanese cinema, serving primarily as a comedic vehicle. It lacks the specific markers of diverse representation found in modern progressive narratives. The film reflects the cultural homogeneity and social norms of its time. It operates within the existing cultural context without attempting to challenge systemic social hierarchies. While historically significant due to Shōzō Makino's foundational role in the studio system, the film does not offer visible representation for underrepresented groups.
Category Breakdown
The film does not include non-traditional gender identities or same-sex relationships, adhering to the social norms of 1920s Japanese silent comedy.
Gender roles in the film likely follow traditional archetypes common in early silent comedies. There are no indications of strong female leads or disruptions of traditional gender hierarchies.
The cast is ethnically uniform, reflecting the cultural landscape of 1928 Japan without the influence of Western-centric casting practices.
The narrative follows the traditional storytelling frameworks of the Taishō and early Shōwa periods. It does not present stories that challenge prevailing social or religious structures.
There is no mention of characters dealing with physical or neurodivergent disabilities in the synopsis.
Present on Screen
Limited or Absent
Official Synopsis
Raiden is a 1928 black and white Japanese silent film with benshi accompaniment directed by Shozo Makino and Sadatsugu Matsuda. It is a posthumous work by Makino and is the last film starring his son, Masahiro Makino, in his first role in a comedy film.

2019

1928

1928

1911

1926
1895
1935

1919
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