
OK Patron
1974

Representation Score
Limited
2003
Director
Jean-Pierre Mocky
Runtime
88 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Le Furet is a cynical character study that emphasizes social critique over diverse representation. While it lacks meaningful diversity in gender, race, or LGBTQ+ identities, it achieves complexity through its narrative subversion of authority. By presenting the police and organized crime as ineffective or corrupt, the film offers a worldview that questions traditional institutional morality. However, the protagonist's motivations are rooted in traditional masculine hierarchies and aesthetic consumption, which limits its progressive impact.
Category Breakdown
The film does not include any identifiable LGBTQ+ characters or themes. The story centers around a protagonist seeking power through traditional criminal means.
Gender roles in the film rely heavily on traditional stereotypes. The protagonist’s desire for 'blonde bimbos' indicates a focus on objectifying women.
The setting implies a homogeneous cast, typical of localized European dark comedies. There is no indication of significant ethnic diversity among the main characters.
The film gains traction by undermining social stability. It portrays a criminal as the primary force challenging corrupt institutions, thereby disrupting traditional moral authority.
Disability is not a central theme or plot device in this film.
Present on Screen
Limited or Absent
Official Synopsis
From his locksmith's shop, a simple guy dreams of becoming a crime boss, at the wheel of his Cadillac surrounded by blonde bimbos. He starts small, assassinating petty criminals. Gaining renown in the newspapers as "Le Furet" (The Ferret), he soon sets his sights higher. The police and organized crime both take up the chase.

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1976
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