
Pride
2014

2000
RDirector
Ken Loach
Runtime
110 minutes
Average Rating
No ratings yetSynopsis
Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers' union has assigned organizer Sam Shapiro to bring its "justice for janitors" campaign to the building. Sam finds Maya a willing listener, she's also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film lacks prominent LGBTQ+ characters or non-cisnormative identities. The central romantic tension between Maya and Sam Shapiro follows a conventional heteronormative structure.
Gender Representation
The narrative centers its agency within a collective of female immigrant workers. These women act as primary drivers of social change rather than occupying submissive or domestic roles.
Racial & Ethnic Diversity
The film provides exceptional representation by centering a non-Anglo-Saxon majority cast. It explores the lived experiences of undocumented Latina immigrants with significant depth and nuance.
Religious & Cultural Diversity
The story offers a profound critique of Western institutions, framing capitalism and immigration enforcement as oppressive. It prioritizes collective solidarity over individualistic Western values.
Disability Representation
There are no prominent depictions of visible or invisible disabilities that drive the narrative or serve as central character arcs.
Strengths
Areas for Improvement
AI Analysis
Ken Loach utilizes his expertise in socio-political storytelling to examine class struggle and labor rights. The film succeeds by centering the intersection of race, gender, and legal status through its immigrant protagonists. The narrative effectively subverts the 'passive victim' trope by positioning female workers as intellectual and political leaders. This focus on collective action provides a powerful critique of systemic economic barriers. While the film excels in racial and cultural depth, it remains limited by a conventional heteronormative romantic structure and a lack of LGBTQ+ representation.

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