
We Are All for the Fatherland
1979

Representation Score
Fair
1979
Director
Maroun Bagdadi
Runtime
25 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Maroun Bagdadi’s documentary serves as a vital testament to the civilian experience during the 1978 Israeli invasion of South Lebanon. It successfully shifts the focus from grand geopolitical strategy to the granular, daily suffering of a localized community. The film excels in its cultural and racial representation by centering a non-Western population. This approach provides real power to the subjects, whose lived experiences eventually influenced international diplomatic outcomes like UN Resolution 425. While the film is a powerful tool for political and cultural visibility, it lacks specific data regarding LGBTQ+ or neurodivergent representation. Its impact is primarily rooted in its documentation of systemic victimhood and resistance.
Category Breakdown
The documentary focuses on wartime civilian suffering in a specific historical context. There is no evidence of LGBTQ+ character arcs or thematic explorations of gender identity.
The film centers on the domestic sphere and the daily suffering of citizens. While women often maintain community structures during such conflicts, specific character-driven subversions of gender hierarchies are not documented.
The film provides high representation for a non-Western, Arab population. By centering a Lebanese village, the narrative disrupts the traditional Western-centric documentary gaze through a localized perspective.
The documentary critiques military interventions and highlights the systemic impact of occupation. It challenges established power dynamics by prioritizing the sovereignty and rights of a non-Western entity.
The film documents the physical toll of war on a community. However, there is no specific evidence regarding the intentional portrayal of neurodivergence or disability advocacy.
Present on Screen
Limited or Absent
Official Synopsis
"The Story of a Village and a War" is a film about the citizens of South Lebanon during the israeli invasion in 1978. The film highlights their daily suffering during the occupation. It was shown at the United Nations at the request of Ghassan Tueini, the representative of Lebanon back then. The screening helped in the issuance of resolution 425, which provided for the withdrawal of the israeli occupation from the South.

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