The film lacks explicit depictions of LGBTQ+ identities or non-heteronormative romance. The narrative centers on the dysfunctional marriage of Antonio and Maria without exploring queer subtext.

Female characters like Maria, Miria, and Sol occupy largely reactive roles. While Antonio is a bully, he remains a dominant patriarchal figure, and women lack significant agency.

The setting and character names suggest a homogeneous European context. There is no evidence of a multi-ethnic cast or non-white characters within this cultural framework.

The story relies on traditional Christian motifs, including exorcism and Satanic themes. It operates within a singular framework of religious dread rather than challenging Western institutions.

Ignazio is a mute character who uses a wheelchair. However, his role as a voyeuristic observer risks framing his disability through a predatory lens rather than granting him agency.