
Auschwitz
2015

Representation Score
Good
2006
Director
James Moll
Runtime
75 minutes
Average Rating
No ratings yetNew Showbiz Analysis
James Moll’s documentary provides a sophisticated examination of global stratification. By juxtaposing the disparate lived realities of children across the globe, the film challenges viewers to confront systemic inequities inherent in the current economic architecture. The work succeeds in its deconstruction of a 'standard' human experience. It uses a diverse array of non-professional subjects to illustrate how geography and capital dictate the trajectory of a human life. While the film lacks engagement with traditional identity politics, such as LGBTQ+ representation, it performs a high-level critique of how systemic structures impact different populations disproportionately.
Category Breakdown
The documentary focuses on the socioeconomic and developmental realities of childhood. It does not address LGBTQ+ narratives or non-assuming gender matches what was assigned at birth identities.
The film maintains a neutral observational stance on gender dynamics. It documents subjects without explicitly seeking to challenge or reinforce traditional hierarchies.
The film excels with a global scope, featuring subjects from Asia, Africa, Latin America, and the West. This disrupts a Western-centric perspective.
The narrative provides a significant critique of global capitalist structures. It highlights how socioeconomic status and resource distribution dictate opportunity.
The film does not center on disability as a primary theme. It focuses more on class than specific physical or mental conditions.
Present on Screen
Limited or Absent
Official Synopsis
Until she was thirteen years old, Monika Hertwig thought her father died fighting for his country in World War II. Then a chance comment led Monika to the horrific truth: her father was the brutal Plaszow concentration camp commandant Amon Goeth, and he was executed for his crimes.

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