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The Oracle

Name: The Oracle
Director: Roberta Findlay
Released: 1985
Duration: 94 min

Representation Score

1.7/10

Minimal

1985

Director

Roberta Findlay

Runtime

94 minutes

Average Rating

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New Showbiz Analysis

The film operates as a typical horror movie that focuses on well-known clichés rather than challenging societal norms. While it is noteworthy that Roberta Findlay directed a horror film in the mid-1980s, the narrative itself does not use this opportunity to disrupt traditional power structures. The film lacks meaningful representation that reflects multiple aspects of diversity, especially regarding race and LGBTQ+ identities. The casting and themes align with the homogenous standards of its time, offering limited critique of cultural or systemic issues. Overall, the story centers on a possession narrative that upholds traditional power dynamics. It functions as a standard supernatural thriller without attempting to challenge the social or cultural status quo.

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Category Breakdown

Does The Oracle have LGBTQ+ representation?

Limited

The film does not include explicit LGBTQ+ characters or stories focusing on non-straight identities. The supernatural possession storyline seems to center around the idea that everyone is assumed to be straight.

How does The Oracle portray gender?

Fair

A female character is the main figure and vessel for a male spirit. Although she is central to the story, the possession theme might make her seem less active and more passive.

How racially and ethnically diverse is The Oracle?

Minimal

There is no indication of a racially diverse cast. The film likely follows the typical casting practices of 1980s independent horror movies.

How does The Oracle represent religion and culture?

Limited

The themes revolve around traditional supernatural horror and individual hauntings. The story stays within conventional moral boundaries without questioning Western religious traditions.

Does The Oracle include disability representation?

Minimal

There is no clear depiction of physical or mental disabilities in the plot or character development.

Present on Screen

Features a central female protagonist who drives the narrative.
Roberta Findlay offers a unique female directorial perspective in the 1980s horror genre.

Limited or Absent

Lacks racial and ethnic diversity in its casting and character development.
Does not include visible LGBTQ+ representation or non-straight identities.
The possession cliché may diminish the female lead's autonomy.
Does not question Western institutional or religious structures through its themes.

Official Synopsis

A murder victim reaches out from beyond the grave in an attempt to possess the body of a young woman who has moved into his old apartment.

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