The film lacks visible LGBTQ+ characters or storylines. It operates within a conventional framework that does not engage with non-heteronormative identities or queer perspectives.

A female protagonist drives the plot, providing a baseline of agency. However, the narrative relies on traditional 'final girl' or supernatural victim tropes common to 1990s horror.

The production features a predominantly white cast. There is no significant evidence of racial blending or diverse characters used to add depth to the narrative.

Themes of mediumship and the occult center on spiritualism. These elements function as traditional horror devices rather than critiques of religious or Western institutions.

There is no evidence of characters with disabilities portrayed with agency. The film focuses on the tolls of possession rather than nuanced explorations of neurodivergence or physical disability.